| Texts from Journal Intégral
| "Im Zusammenhang des Zwölftonwegs sprechen": Reconsidering Pitch-class Sets in Schoenberg's Atonal Music Library |
Jenkins, J. Daniel |
2016  |
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| 'Denk an meinen Hund': Applied Subdominants and Motivic Treatment in Schoenberg's "Warnung," Op. 3, No. 3 Library |
Pedneault-Deslauriers, Julie |
2014-2015 |
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| Presentation of "Musical Idea" through Tetrachord Exchanges and Rhythmic/Metric
Correspondences in the Intermezzo and Gavotte of Schoenberg's Suite for Piano, Op. 25 Library |
Bossard, Rudolf |
2013 |
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| Inside the Cadenza of Schoenberg´s Piano Conerto Library |
Alegant, Brian |
2002 |
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| The "Musical Idea" and Global Coherence in Schoenberg's Atonal and Serial Music Library |
Boss, Jack |
2000 |
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| Comparing Collections Of Set Classes: Indexes In Forte's Genera Theory Library |
Doerksen, John F.d |
1999 |
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| Beethoven's Interrupted Tetrachord and the Seventh Symphony Library |
Gauldin, Robert |
1991 |
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| Motivic Transformations and Networks in Schoenberg's "Nacht" form Pierrot Lunaire Library |
Gillespie, Jeffrey L. |
1992 |
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| Perspectives on Order, Disorder, Combinatoriality, and Tonality in Schoenberg's Opus 33a und 33b Piano Pieces Library |
Lefkowitz, David S. |
1997 |
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| Twelve-Tone Organizational Strategies: An Analytical Sampler Library |
Mead, Andrew |
1989 |
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| Music Theory, Multimedia, and the Construction of Meaning Library |
Zbikowski, Lawrence M. |
2002 |
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