| Texts from Journal Journal of Music Theory
| Segmental Invariance and the Twelve-Tone System Library |
Beach, David W. |
1976 |
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| Liquidation and Its Origins Library |
Heneghan, Áine |
2019.04 |
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| Musical Form and the Development of Schoenberg's Twelve-Tone Method Library |
Hyde, Martha Maclean |
1985.03 |
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| Schenker and Schoenberg on the Will of the Tone Library |
Arndt, Matthew |
2011.04 |
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| Set structure as a ompositional Determinant Library |
Babbitt, Milton Byron |
1961 |
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| Some Ideas about voice-leading between PCSets Library |
Lewin, David |
1998.03 |
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| Partition Lattices in Twelve-Tone Music: An Introduction Library |
Kurth, Richard Burton |
1999.03 |
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| Intervallic Relations in Atonal Music Library |
Teitelbaum, Richard |
1965.03 |
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| The Harmonic Tendency of the Hexachord Library |
Rochberg, George |
1959.11 |
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| The Source Set and its Aggregate Formations Library |
Martino, Don |
1961 |
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| Re: The intervallic content of a collection of notes, intervallic relations between a collection of notes and its complements: an application to Schoenberg's hexachordal pieces Library |
Lewin, David |
1960.04 |
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| When even becomes odd: a partitional approach to inversion Library |
Alegant, Brian |
1999.09 |
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| Schoenberg on Ornamentation and Structural Levels Library |
Boss, Jack |
1994.09 |
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| Some Intervallic Aspects of Pitch-Class Set Relations Library |
Chapman, Alan |
1981 |
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| Music Theory and "Good Comparison": a Viennese Perspective Library |
Cook, Nicholas |
1989 |
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| The Basic Interval Patterns Library |
Forte, Allen |
1973 |
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| Concepts of Linearity in Schoenberg's Atonal Music: A Study of the Opus 15 Song Cycle Library |
Forte, Allen |
1992 |
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| A Methodology for the Discussion of Contour: Its Application to Schoenberg's Music Library |
Friedmann, Michael L. |
1985.09 |
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| An Introduction to Trichordal Analysis Library |
Gilbert, Steven E. |
1974.09 |
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| Isomorphic Partitioning and Schoenberg's Fourth String Quartet Library |
Haimo, Ethan; Johnson, Paul |
1984 |
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| The Roots of Form in Schoenberg's Sketches Library |
Hyde, Martha Maclean |
1980.03 |
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| The Nomenclature of Pitch-Class Sets and the Teaching of Atonal Theory Library |
Maegaard, Jan |
1985.09 |
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| Possible and Impossible Melodies: Some Formal Aspects of Contour Library |
Polansky, Larry; Bassein, Richard S. |
1992 |
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| Harmonic implications of Schoenberg's observations of atonal voice leading Library |
Roeder, John |
1989 |
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| Line and Harmony in the Sketches of Schoenberg's "Seraphita" Op. 22, No. 1 Library |
Simms, Bryan R. |
1982.09 |
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